PARIS, Oct 13, 2006/ FW/ --- Buckling the sobriety in fashion trend that has swept the international catwalks this season, Alexander McQueen presented an elaborately conceived wardrobe that is historical and full of details, reminiscent of an haute couture collection rather than pręt-a-porter.

In a stage set that is more theatrical than a runway at the Cirque D’Hiver, sent pieces that are more 19th century than modern. Dresses and gowns that hid more than they show, it is perhaps McQueen’s only nod to the sedateness of the season.

Still, McQueen did not forget this is still a catwalk show with retail buyers in the audience. Sending slim fitting trousers and well-tailored suit jackets, these pieces can easily go from the runway to the showroom and then to store shelves.

It’s not to say that the other half of the collection is made up of museum pieces. Quite the contrary, the gowns and dresses can easily be eveningwear.

The figure-hugging lace gown worn over a nude body suit by Gemma Ward falls in that category. And there was the turtleneck lavender chiffon over white gown that ended into three tiers of balloon ruffles.

Yet, for some of the pieces, some women have to be very confident and assured about their body because the silhouette have been extended and expanded to about triple the size of their hips.

Now, it is easy to say that these looks were just created for the runway. And with Alexander McQueen, this is always expected. After all, he has continued to dazzle his fans and his audience with artistic creations through the years.

In fact, seeing McQueen in his top form, with all the bells and whistles that we have come to expect from him is very refreshing and inspiring during a very somber and sober season for Spring 2007.

Alexander McQueen

Alexander McQueen

Alexander McQueen

Alexander McQueen